| Spectacle and spectator in Edouard Manet's Execution of Maximilian | 2006, vol. 29, no 2 | p. 215-226 | Article |
| Paul Delaroche's early work in the context of English history painting | 2006, vol. 29, no 3 | p. 341-369 | Article |
| Marcel Duchamp's Tonsure : towards an alternate masculinity | 2007, vol. 30, no 2 | p. 289-303 | Article |
| The politics of copying : Le Corbusier's immaculate conceptions | 2007, vol. 30, no 2 | p. 305-326 | Article |
| Trompe-l'oeil and trauma : money and memory after the Terror | 2007, vol. 30, no 3 | p. 355-376 | Article |
| Decentralising the history of French art : Léon Lagrange on provençal art | 2008, vol. 31, no 2 | p. 215-231 | Article |
| A devil's-eye view of Paris : Gavarni's portrait of the editor | 2008, vol. 31, no 2 | p. 233-250 | Article |
| Courbet's materialism | 2008, vol. 31, no 2 | p. 251-260 | Article |