Sacred and profane love : four fountains in the Hypnerotomachia (1499) and the Roman de la Rose | 2006, vol. 22, no 1 | p. 1-13 | Article |
Muoz ich tanzen und kan nit gân ? : death and the infant in the medieval danse macabre | 2006, vol. 22, no 2 | p. 146-164 | Article |
When a Bible is not a Bible : the meaning and movement of the Bible of Anti-Pope Clement VII (British Library, ms. Add. 47672) | 2006, vol. 22, no 3 | p. 219-227 | Article |
As a stone into a building : metaphor and materiality in the main portal at Vézelay [Yonne] | 2006, vol. 22, no 3 | p. 260-267 | Article |
Collector and saint : Queen Radegund and devotion to the relic of the True Cross | 2006, vol. 22, no 3 | p. 268-274 | Article |
A modern popular poem : Stéphane Mallarmé on the visuel, rhetorical and democratic potentials of the fin-de-siècle newspaper | 2006, vol. 22, no 4 | p. 304-326 | Article |
Alfred Robaut, Etienne Moreau-Nélaton, and writing Corot | 2006, vol. 22, no 4 | p. 327-339 | Article |
Cézanne and the poetics of metonymy | 2007, vol. 23, no 3 | p. 327-336 | Article |
Une grande force au service d'une grande oeuvre : photographies et peintures de l'Afrique dans L'Illustration (1919-1940) | 2007, vol. 23, no 3 | p. 337-349 | Article |
Sister arts or sibling rivalry ? Cézanne and the logic of the senses | 2008, vol. 24, no 2 | p. 152-161 | Article |
Dancing words : eighteenth-century ballet-pantomime wordbooks as paratexts | 2008, vol. 24, no 4 | p. 403-412 | Article |
Who makes the statue speak ? Louis XIV and the plainte des statues | 2008, vol. 24, no 4 | p. 427-438 | Article |